Jun. 23, 2017
Ms. Larson has been described as a teacher who mentors her students toward becoming involved collaborators who have a deep understanding of the craftsmanship within the music they play and a joy for sharing it with others. Teaching at Biola since January 2010, her primary responsibilities include teaching applied violin, coaching chamber music, and teaching courses in string literature and string pedagogy. Outside of the Biola classroom, Ms. Larson has an exciting international performance career as a solo and chamber musician, and participates in festivals all over the world both as a performer and instructor. Alumna Amanda Sansonetti ('13) says, "Ms. Larson has a wonderful way of helping her students reach toward the joy of playing music, which is really the heart of excellence in performance. She persistently guides her students toward a deeper level of musicianship and a greater attention to the details, and her desire to use music as ministry is inspiring. Most of all, I am so grateful for the care she shows for her students as whole people; we are continually reminded that we are God's beloved children, first and foremost."
Education and Influences
Ms. Larson gives much credit to her parents for encouraging her in her pursuit of music. "My parents just really saw music as a precious gift from God that we discovered almost by happy accident in our lives, and they wanted to foster that. They never pushed it, but rather provided for it in every way they could; I'm really grateful for that approach they took." She emulates her parents' attitude with her students by presenting the study of music as a joyful pursuit of excellence as worship to God rather than as a means of self-glorification. One of her most influential teachers was Marylou Speaker Churchill, the first woman to hold a principal chair in the Boston Symphony Orchestra. Ms. Larson began studying with her at age 11, and she notes that Mrs. Churchill inspired her students to love their music rather than to approach it with worry or intimidation. "She was the one who taught her students how to fall in love with music on a daily basis. One thing that she was famous for was, when you looked at her music, rather than a lot of bowings and fingerings, she had hearts over her favorite notes in the music instead. That taught us as her students that music is about loving others, and not just getting the right bowings and fingerings."
As for her love of teaching, she remarks that she learned much from watching her mother, Trudy Larson, as she taught in her home studio. Her mother is the premier teacher on the north shore of Boston, and someone who started a youth orchestra of 8 students in her basement, growing it to a full organization of 300 students today. "She played a big role in showing me how to teach, and how to care for the whole student, and not just how they play…The approach I have ended up taking is because of her example."
Teachers include James Buswell from the New England Conservatory, Franco Gulli at Indiana University, Yfrah Neaman at the Guildhall School of Music in London, Peter Oundjian at Yale University Grad School, and Marylou Speaker Churchill.
Ms. Larson began her studies at the age of 3 and gave her recital debut at the age of 6. One year later, she gave her orchestral solo debut performing with the Milwaukee Symphony in a series of 10 concerts. She went on to solo with the Boston Pops at age 11. Since then, she has performed concerts throughout the world and has numerous prestigious honors to her credit. The Boston Globe has praised her playing as having "great charm and refinement…and capable of breathtaking virtuosity." She has performed in such halls as Symphony Hall, Boston with the Boston Symphony Orchestra, Weill Hall, Carnegie Hall, the Isabella Stewart Gardner Museum, the Kennedy Center, and Victoria Hall, Geneva, as the featured soloist in a concert honoring Lord Yehudi Menuhin on the day of his death.
Her solo tours have brought her to four continents in concerts throughout the U.S., Japan, England, Switzerland, Germany, Canada, Finland, Taiwan, South Korea, Estonia and India. Ms. Larson has been heard on radio on NPR, both in feature programs aired throughout the U.S. and also live in performance from the Chicago Public Library. In Korea, her performances have been broadcast both on radio and Korean National TV.
An avid chamber musician, Ms. Larson has been a Resident Artist at festivals including the Banff Festival for the Arts, the Caramoor Festival, New York, where she collaborated with pianist Joseph Kalichstein, Prussia Cove, England, and the Verbier Festival in Switzerland. She has also collaborated with pianist Menahem Pressler and in a series of chamber music performances with Gidon Kremer, Boris Pergamenschikow, and Eugene Istomin at the Kronberg Festival in Germany. For two years, she was invited to join Yehudi Menuhin's prestigious chamber ensemble, the Camerata Lysy, Switzerland, performing as soloist and in chamber ensembles throughout Europe, and on tour to South Africa. This led to three additional years of performances as the violinist of Duo Shanti under the auspices of Live Music Now in the UK and in the concert venues of Europe and the U.S. She was also a member of the Credo Trio from 2009-2012, the performance and touring ensemble of the Credo Festival, giving concerts and workshops on integrating music, work, and faith throughout the U.S.
This season, Elizabeth will be performing as recitalist and chamber musician in concert series throughout the U.S. and Europe. Ms. Larson continues to serve as Consultant for Angelos Mission Ensemble, an intensive chamber music program, dedicated to the development of young leaders in chamber music and the arts. In the summers, she returns to the festivals of Apple Hill Center for Chamber Music, Credo Festival and Masterworks, where she performs and is on faculty each summer. Ms. Larson was most recently the Founder, Director and Instructor at the Geneva Conservatory of Music, a music school in New York City, which she founded in 2002, and divides her time between performing and teaching, residing in both New York and Los Angeles.
Faith in Action
For Ms. Larson, her music was often the way in which God met her and taught her. "I think I knew from a young age that this was something I wanted to do," she recalls."I wanted to speak through music, and I wanted people to know about God through the process. I wanted to know more about God through music, and that's what He used to teach me more about Him and draw me closer to who He is." As she has traveled around the globe to teach and to perform, she has seen God's hand at work in weaving together her circumstances. "If there is one thing that I learned it is that God certainly has full control over where I am and when. I just need to always follow His loving lead. And I can truly trust that because I learned that taking this leap [into Biola]." During lessons and in studio class, Ms. Larson encourages her students to think and to discuss the ways in which they can live out their faith in the larger artistic community. "Music is one of the most powerful ways that God brings us into His presence," she notes. The way that she shows her students to approach their performances is a clear manifestation of this attitude of worship.
During Biola's campus-wide Year of the Arts (2011-2012), Ms. Larson played a crucial role as the Founder and Coordinator for the Random Acts of Culture: A Moving concert series. This project facilitated weekly 30-minute casual concerts performed by students "at random" all over campus in order to minister to the Biola community and to explore the concept of transforming venues into sacred spaces. Through her efforts in the Conservatory, students have more opportunities to serve their university with their musical gifts, and to bless people beyond our campus, as well as to bring more awareness of the arts to the wider community. An example of this is the music recorded by the Biola Honors String Quartet.
Ms. Larson sees her interactions with her students as an enriching part of her experience at Biola. "The students are hungry to learn about their craft, about God, and about each other. They are open about sharing what they are learning, and so the family atmosphere allows us to easily learn from each other and not just from the professor. I have found that in the string department, there is a close-knit family who can trust each other. We are free to make mistakes, to learn, and then grow." Her desire for her students is that they would learn to trust God and worship Him through their efforts. "Great music comes out of a heart that trusts Him and a willingness to spend the time developing one's gifts…wherever that may lead."